A Midsummer Night's Dream: With Introd., and Notes [explanatory and Critical, for Use in Schools and Families,]Ginn, 1885 |
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... rest . Next to a good conscience and the aids of Ch there is no stronger support under the burden than the companionship of such refreshing and thoughts as spring up by the wayside of duty , fro at home with the approved interpreters of ...
... rest . Next to a good conscience and the aids of Ch there is no stronger support under the burden than the companionship of such refreshing and thoughts as spring up by the wayside of duty , fro at home with the approved interpreters of ...
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... rest- al consequence s the case , the mental repose . The chron is eating the life out of us of duty and virtue , ay , and while we are thus overwo nutritive systems of course mind itself gives out ; and having been educated all right ...
... rest- al consequence s the case , the mental repose . The chron is eating the life out of us of duty and virtue , ay , and while we are thus overwo nutritive systems of course mind itself gives out ; and having been educated all right ...
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... rest in the sweet assurance but the phantoms and unrealities of a busy slee . The Delineation of Theseus Though , as I have already implied , the cl is here quite secondary and subordinate , yet t ably has as much of character as were ...
... rest in the sweet assurance but the phantoms and unrealities of a busy slee . The Delineation of Theseus Though , as I have already implied , the cl is here quite secondary and subordinate , yet t ably has as much of character as were ...
Seite 25
... rest I'd give , to be to you translated . O , teach me how you look ; and with what art You sway the motion of Demetrius ' heart ! Her . I frown upon him , yet he loves me sti Hel . O , that your frowns would teach m skill ! Her . I ...
... rest I'd give , to be to you translated . O , teach me how you look ; and with what art You sway the motion of Demetrius ' heart ! Her . I frown upon him , yet he loves me sti Hel . O , that your frowns would teach m skill ! Her . I ...
Seite 29
... poets when was wanted for the rhyme . 29 The force and fitness of expense , here , are partly show Staunton antly notes that 25 to gratify Demetr next line This was lofty ! -Now name the rest of the SCENE II. The Same. A Room in QUINCE ...
... poets when was wanted for the rhyme . 29 The force and fitness of expense , here , are partly show Staunton antly notes that 25 to gratify Demetr next line This was lofty ! -Now name the rest of the SCENE II. The Same. A Room in QUINCE ...
Häufige Begriffe und Wortgruppen
Athenian Athens awake beauty Bottom character College criticism Cupid delight Demetrius doth dream Duke Dyce edition editor Egeus English Literature Enter Exeunt Exit eyes fair fairy fancy fear flower genius gentle give grace hand hast hate hath hear heart Helena Hermia Hippolyta Hudson's lady language learning Lettsom lion lord lovers Lysander Master meaning mind Moon Moonshine moral nature never night notes Oberon old copies old text Peter Quince Phillips Academy PHILOSTRATE play Poet Poet's Prof Puck pupils Pyramus Pyramus and Thisbe Queen Quin Re-enter Robin Goodfellow Robin Starveling SCENE second folio seems sense Shake Shakesp Shakespeare Shakespearian sing sleep Snout Snug sometimes soul speak stol'n sweet taste thee Theseus thing Thisbe Thisbe's thou thought Tita Titania tongue true wall wood words
Beliebte Passagen
Seite 55 - All school-days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate.
Seite 19 - Thrice blessed they that master so their blood To undergo such maiden pilgrimage. But earthlier happy is the rose distill'd Than that which, withering on the virgin thorn, Grows, lives, and dies in single blessedness.
Seite 29 - Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes, but with the mind; And therefore is wing'd Cupid painted blind.
Seite 55 - Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted ; But yet a union in partition, Two lovely berries moulded on one stem : So, with two seeming bodies, but one heart, Two of the first, like coats in heraldry, Due but to one, and crowned with one crest.
Seite 23 - Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Seite 29 - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
Seite 29 - These are the forgeries of jealousy : And never, since the middle summer's spring, Met we on hill, in dale, forest, or mead, By paved fountain, or by rushy brook, Or on the beached margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturb'd our sport.