King LearBarnes & Noble Books, 2007 - 397 Seiten King Lear, by William Shakespeare, is part of the Barnes & Noble Shakespeare series. This unique series features newly edited texts prepared by leading scholars from America and Great Britain, in collaboration with one of the world's foremost Shakespeare authorities, David Scott Kastan of Columbia University. Together they have produced texts as faithful as possible to those that Shakespeare wrote.
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Seite 33
... action , but they also offer us a counterplot , pointing us to what might be behind the action , confirming or contradicting what the characters say . It is a language that shimmers with promise and possibility , opening the characters ...
... action , but they also offer us a counterplot , pointing us to what might be behind the action , confirming or contradicting what the characters say . It is a language that shimmers with promise and possibility , opening the characters ...
Seite 362
... action . of the play , subtly modifies some of the Quarto's characterizations ( especially Kent , Albany , and Edgar ) , and rewrites the ending , giving Edgar rather than Albany the last word . It is impossible to know exactly what ...
... action . of the play , subtly modifies some of the Quarto's characterizations ( especially Kent , Albany , and Edgar ) , and rewrites the ending , giving Edgar rather than Albany the last word . It is impossible to know exactly what ...
Seite 374
... action . There is the blinding of Gloucester ( 3.7 ) and then his supposed fall from a cliff ( 4.5 ) , both of which would have required imaginative collusion between actors and audience . The early performances of Lear relied upon the ...
... action . There is the blinding of Gloucester ( 3.7 ) and then his supposed fall from a cliff ( 4.5 ) , both of which would have required imaginative collusion between actors and audience . The early performances of Lear relied upon the ...
Inhalt
Introduction to King Lear | 1 |
A Chronology | 23 |
Key to the Play Text | 39 |
Urheberrecht | |
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action affection Albany appear attendants bear become Britain comes Cordelia Cornwall course daughters death dost Draw Duke Edgar edition Edmund England English Enter exits eyes father fear fire Folio follow Fool fortune France give Gloucester gods Goneril grace hand hast hath head hear heart hold honor human intended James keep Kent kind King Lear kingdom known Lear's less letter live London look lord madam matter means mind nature never night noble Oswald performed perhaps play poor produce Quarto Queen reference Regan role rule scene seems sense servant Shakespeare shows sister speak speech stage stand suffering suggests sword tell thee thine things thou thought true turn