The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 26
... recognition as a real and indi- viduated being in the world . He needs to feel that the mental ab- straction he calls a “ self ” is really present to the awareness of others , and that he views the world as a temporally and spatially ...
... recognition as a real and indi- viduated being in the world . He needs to feel that the mental ab- straction he calls a “ self ” is really present to the awareness of others , and that he views the world as a temporally and spatially ...
Página 29
... recognition from others who are either sympathetic or are to be made , somehow , nonthreatening . Shelley , Byron , and Blake manifest this tempera- ment in a more fragmentary way . For that matter , in any one of the poets under ...
... recognition from others who are either sympathetic or are to be made , somehow , nonthreatening . Shelley , Byron , and Blake manifest this tempera- ment in a more fragmentary way . For that matter , in any one of the poets under ...
Página 137
... recognition to confirm the presence of a " soul " or consciousness within the bodily form depends ultimately , as it did for Descartes , on the invocation of a Supreme Being , for whom the existence of the soul is assumed to be ...
... recognition to confirm the presence of a " soul " or consciousness within the bodily form depends ultimately , as it did for Descartes , on the invocation of a Supreme Being , for whom the existence of the soul is assumed to be ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes