The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 10
... perception , the “ true ” and the " false . " Gray's poet is anxious about the inadequacy of physical appearances to convey what was in former times called the soul be- cause he identifies the true self exclusively with consciousness.15 ...
... perception , the “ true ” and the " false . " Gray's poet is anxious about the inadequacy of physical appearances to convey what was in former times called the soul be- cause he identifies the true self exclusively with consciousness.15 ...
Página 11
... perception , and never can observe any thing but the perception . Hume's cool skepticism anticipates Coleridge's nightmarish fears in the fragment " Self - Knowledge " ( 6-8 ) : What is there in thee , Man , that can be known ? - Dark ...
... perception , and never can observe any thing but the perception . Hume's cool skepticism anticipates Coleridge's nightmarish fears in the fragment " Self - Knowledge " ( 6-8 ) : What is there in thee , Man , that can be known ? - Dark ...
Página 140
... perception on the one hand , and solipsis- tic perception at times visionary or " sacramental , " at times unreal , irrational , and horrifying on the other . This kind of distinction would not prevent us from assigning positive and ...
... perception on the one hand , and solipsis- tic perception at times visionary or " sacramental , " at times unreal , irrational , and horrifying on the other . This kind of distinction would not prevent us from assigning positive and ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 1999 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes