The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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... intense identification with con- sciousness is reinforced by encroaching night , and its immediate ef- fects appear in the poem's opening lines . Darkness , whatever else it may do to suggest the somber mood typical of eighteenth ...
... intense identification with con- sciousness is reinforced by encroaching night , and its immediate ef- fects appear in the poem's opening lines . Darkness , whatever else it may do to suggest the somber mood typical of eighteenth ...
Página 172
... intense identification with some particular object or other . His dis- embodied eye seeks , usually , not so much to revitalize the old world as to substitute new dream - worlds for the old , dream worlds that co- alesce around the ...
... intense identification with some particular object or other . His dis- embodied eye seeks , usually , not so much to revitalize the old world as to substitute new dream - worlds for the old , dream worlds that co- alesce around the ...
Página 230
... intense sen- sations , yet anxious to avoid the pitfalls of Wordsworth's philosophical egotism and " palpable design . ” There was a middle ground , though , what Keats later called , in his letter to George and Georgiana of March 1819 ...
... intense sen- sations , yet anxious to avoid the pitfalls of Wordsworth's philosophical egotism and " palpable design . ” There was a middle ground , though , what Keats later called , in his letter to George and Georgiana of March 1819 ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes