The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 112
... IMAGINATION then I consider either as primary , or secondary . The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception , and as a repetition in the finite mind of the eternal act of creation in the ...
... IMAGINATION then I consider either as primary , or secondary . The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception , and as a repetition in the finite mind of the eternal act of creation in the ...
Página 139
... imagination , controversy has continued over the validity of his inter- pretation of the sun and moon as symbols , respectively , of common or " profane " and of imaginative or “ sacramental " modes of percep- tion . Certainly , Warren ...
... imagination , controversy has continued over the validity of his inter- pretation of the sun and moon as symbols , respectively , of common or " profane " and of imaginative or “ sacramental " modes of percep- tion . Certainly , Warren ...
Página 140
... imagination involves the Ancient Mariner - like the poet , for that matter - in a dilemma . Uniting him spiritually with all things , all of nature , all the universe , imaginative vision tends at the same time to cut him off from other ...
... imagination involves the Ancient Mariner - like the poet , for that matter - in a dilemma . Uniting him spiritually with all things , all of nature , all the universe , imaginative vision tends at the same time to cut him off from other ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 1999 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes