The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 21
... hand , then , and despite solipsistic tendencies , these Romantic poets discovered that the self could not be exclusively iden- tified with consciousness , not even when it found itself " embodied " in a style of perception or feeling ...
... hand , then , and despite solipsistic tendencies , these Romantic poets discovered that the self could not be exclusively iden- tified with consciousness , not even when it found itself " embodied " in a style of perception or feeling ...
Página 186
... hand in hand with eros — all three pass before him , literally , “ with . . . joined hands " ( 2 ) . From early on the search for an ideal self - realization within the re- stricted limits of an exclusive love relationship informs many ...
... hand in hand with eros — all three pass before him , literally , “ with . . . joined hands " ( 2 ) . From early on the search for an ideal self - realization within the re- stricted limits of an exclusive love relationship informs many ...
Página 216
... hand , She felt the warmth , her eyelids open'd bland , And , like new flowers at morning song of bees , Bloom'd , and gave up her honey to the lees . Into the green - recessed woods they flew ; Nor grew they pale , as mortal lovers do ...
... hand , She felt the warmth , her eyelids open'd bland , And , like new flowers at morning song of bees , Bloom'd , and gave up her honey to the lees . Into the green - recessed woods they flew ; Nor grew they pale , as mortal lovers do ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes