The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 9
... give way in the speaker's imagination to " a mad- ding crowd , " and then to a single , uncomprehending stranger . From his unknown audience , a madding crowd of strangers that threatens to expropriate this poem as the embodied ...
... give way in the speaker's imagination to " a mad- ding crowd , " and then to a single , uncomprehending stranger . From his unknown audience , a madding crowd of strangers that threatens to expropriate this poem as the embodied ...
Página 70
... give up much of what is ordinarily enjoyed ” ( I , 156 ) . And he enjoins us to give it up . If Wordsworth's poetry does not please his audience in the " ordinary " way , the fault lies not with the poetry , nor with the poet , but with ...
... give up much of what is ordinarily enjoyed ” ( I , 156 ) . And he enjoins us to give it up . If Wordsworth's poetry does not please his audience in the " ordinary " way , the fault lies not with the poetry , nor with the poet , but with ...
Página 262
... give that it had not pleased me ) and ' was compelled to wish that my range of Sensibility was more extended , being obliged to believe that I should receive large influxes of happiness & happy Thoughts ' ( I suppose from the L. B. ...
... give that it had not pleased me ) and ' was compelled to wish that my range of Sensibility was more extended , being obliged to believe that I should receive large influxes of happiness & happy Thoughts ' ( I suppose from the L. B. ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes