The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 191
... effect , it becomes a " Nothing ... made Great and digni- fied by an ardent pursuit . " The stage machinery shows to one look- ing on . From the " inside " the experience of the theatrical effect " wholly exists " ; from the " outside ...
... effect , it becomes a " Nothing ... made Great and digni- fied by an ardent pursuit . " The stage machinery shows to one look- ing on . From the " inside " the experience of the theatrical effect " wholly exists " ; from the " outside ...
Página 221
... effect " of a tran- scendent design . In order to understand the principles involved in its construction , we must look at it philosophically , not as passive ad- mirers . But the desire to understand those principles of an object's ...
... effect " of a tran- scendent design . In order to understand the principles involved in its construction , we must look at it philosophically , not as passive ad- mirers . But the desire to understand those principles of an object's ...
Página 222
... effect of these lines is slightly different from that of the conclusion , where we are pointedly reminded of the ephemeral , legendary quality of this tale . + 2 The lines in stanza 22 begin like an address to the reader , a command ...
... effect of these lines is slightly different from that of the conclusion , where we are pointedly reminded of the ephemeral , legendary quality of this tale . + 2 The lines in stanza 22 begin like an address to the reader , a command ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes