The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 21
... early and , as it soon appeared , dangerous role models of the committed self . Though retaining his admiration for men like Beaupuy in the years of crisis following his involvement in the Revolution , Wordsworth rejected the ...
... early and , as it soon appeared , dangerous role models of the committed self . Though retaining his admiration for men like Beaupuy in the years of crisis following his involvement in the Revolution , Wordsworth rejected the ...
Página 33
... early and unexpected death of his mother and , a short time later , his father as well . Richard J. Onorato has pro- vided the finest statement of and argument for the impact of those events on Wordsworth's poetic development . In ...
... early and unexpected death of his mother and , a short time later , his father as well . Richard J. Onorato has pro- vided the finest statement of and argument for the impact of those events on Wordsworth's poetic development . In ...
Página 34
... early on , to have exac- erbated his innate subjectivism and imbued him with an anxious sense of his own immateriality . By the time he wrote the Intimations ode in 1802-1804 , however , Wordsworth had outgrown such anxieties . He had ...
... early on , to have exac- erbated his innate subjectivism and imbued him with an anxious sense of his own immateriality . By the time he wrote the Intimations ode in 1802-1804 , however , Wordsworth had outgrown such anxieties . He had ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 1999 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes