The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 46
... beggar is absorbed in a vacant kind of " seeing " that does not know it sees , a perfect , if extreme , ex- ample of ... beggar's freedom . 19 Like the poet in " Tintern Abbey , " he seems " laid asleep in body . " His " hope " is not ...
... beggar is absorbed in a vacant kind of " seeing " that does not know it sees , a perfect , if extreme , ex- ample of ... beggar's freedom . 19 Like the poet in " Tintern Abbey , " he seems " laid asleep in body . " His " hope " is not ...
Página 47
... beggar's only purpose , apparently , is passive — to suffer . The choices Nature makes for him - inflicting on him her " frosty air and winter snows , " her " chartered wind that sweeps the heath " -turn him into an appropriate object ...
... beggar's only purpose , apparently , is passive — to suffer . The choices Nature makes for him - inflicting on him her " frosty air and winter snows , " her " chartered wind that sweeps the heath " -turn him into an appropriate object ...
Página 48
... beggar's lack of subjectivity is redeemed by his subsumption into an order fixed in the sight of a higher mind ... beggar " have around him , whether heard or not , / The pleasant melody of woodland birds . " If that melody is not heard ...
... beggar's lack of subjectivity is redeemed by his subsumption into an order fixed in the sight of a higher mind ... beggar " have around him , whether heard or not , / The pleasant melody of woodland birds . " If that melody is not heard ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 1999 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes