The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 118
... attention to the star , the scent , the sea ; Sara calls Coleridge's attention back to himself . If the " one Life " is both " within us and abroad , " " at once the soul of each , and God of all , " the real subject and final object of ...
... attention to the star , the scent , the sea ; Sara calls Coleridge's attention back to himself . If the " one Life " is both " within us and abroad , " " at once the soul of each , and God of all , " the real subject and final object of ...
Página 123
... attention on the fire - film and just before his turning to Hartley , we arrive at a dream within a dream , a dream that provides the fulcrum for the poet's shift of attention to his son . It is a dream infused with the presence of the ...
... attention on the fire - film and just before his turning to Hartley , we arrive at a dream within a dream , a dream that provides the fulcrum for the poet's shift of attention to his son . It is a dream infused with the presence of the ...
Página 140
... attention is to lose our shared , waking senses and become swallowed up in a dream . The world drenched in moonlight is indeed the landscape of dream , of a mind - enclosed world . It offers the poet an analogue of the imaginative mind ...
... attention is to lose our shared , waking senses and become swallowed up in a dream . The world drenched in moonlight is indeed the landscape of dream , of a mind - enclosed world . It offers the poet an analogue of the imaginative mind ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes