The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 251
... University Press , 1924 ) , p . 216 : " For the reader of 1751 , " she writes , " it was a marvelous synthesis of the thoughts and feelings of the melancholy po- etry produced in the past fifty years , which had been so widely read and ...
... University Press , 1924 ) , p . 216 : " For the reader of 1751 , " she writes , " it was a marvelous synthesis of the thoughts and feelings of the melancholy po- etry produced in the past fifty years , which had been so widely read and ...
Página 257
... Press , 1971 ) , p . 3642 . 56. One of Langbaum's major premises in The Poetry of Experience . 57. A view first expressed by Edward Bostetter in The Romantic Ventriloquists ( Seattle : University of Washington Press , 1963 ) , pp . 66 ...
... Press , 1971 ) , p . 3642 . 56. One of Langbaum's major premises in The Poetry of Experience . 57. A view first expressed by Edward Bostetter in The Romantic Ventriloquists ( Seattle : University of Washington Press , 1963 ) , pp . 66 ...
Página 273
... University Press , 1965 ) , I , 59 . 6. Keats's poems are cited , by line number ( preceded by part number where appropriate ) , from The Poems of John Keats , ed . Jack Stillinger ( Cam- bridge , Mass .: Harvard University Press , 1978 ) ...
... University Press , 1965 ) , I , 59 . 6. Keats's poems are cited , by line number ( preceded by part number where appropriate ) , from The Poems of John Keats , ed . Jack Stillinger ( Cam- bridge , Mass .: Harvard University Press , 1978 ) ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 1999 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes