The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 páginas |
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Página 25
... Romantic , visionary rather than merely objects of sight ; they become meaningful reflec- tions of the appropriative mind's own fears and desires , and establish an almost mystical sense of continuity between self and Nature , self and ...
... Romantic , visionary rather than merely objects of sight ; they become meaningful reflec- tions of the appropriative mind's own fears and desires , and establish an almost mystical sense of continuity between self and Nature , self and ...
Página 256
... Romantic period was characterized by " the negotiation of the self through role - playing " ( p . 76 ) . Two articles of central importance to the question of the Romantic poet's re- lation to his audience are Randy Stanford , " The ...
... Romantic period was characterized by " the negotiation of the self through role - playing " ( p . 76 ) . Two articles of central importance to the question of the Romantic poet's re- lation to his audience are Randy Stanford , " The ...
Página 270
... Romantic faith in the self . It is a poem in which self - assertion seems to lead toward guilt , nightmarish experi- ences , and cosmic alienation " ( p . 444 ) . 62. Michael G. Cooke , The Romantic Will ( New Haven : Yale University ...
... Romantic faith in the self . It is a poem in which self - assertion seems to lead toward guilt , nightmarish experi- ences , and cosmic alienation " ( p . 444 ) . 62. Michael G. Cooke , The Romantic Will ( New Haven : Yale University ...
Conteúdo
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Direitos autorais | |
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Outras edições - Ver todos
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Prévia não disponível - 2013 |
Termos e frases comuns
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes