Shakespeare, Contemporary Critical ApproachesHarry Raphael Garvin, Michael Payne Bucknell University Press, 1980 - 187 páginas The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study. |
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Página 7
... Stories . Articles in Huntington Library Quarterly , Journal of Popular Culture , and College English . Major interests : Renaissance English and French literature , popular culture , and creative writing . BURTON HATLEN : Teaches at ...
... Stories . Articles in Huntington Library Quarterly , Journal of Popular Culture , and College English . Major interests : Renaissance English and French literature , popular culture , and creative writing . BURTON HATLEN : Teaches at ...
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... story was told throughout the Middle Ages , but the incident of Sinon that Lucrece describes was not known by medieval tapestry makers , as Colvin himself observes . Also , during the Renaissance stories on a central theme were often ...
... story was told throughout the Middle Ages , but the incident of Sinon that Lucrece describes was not known by medieval tapestry makers , as Colvin himself observes . Also , during the Renaissance stories on a central theme were often ...
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... story in a manner strikingly similar to Lucrece's conceited painter . We have no assurance Shakespeare saw these etchings ; the printing was probably small . But there is evidence that trade in French prints had been established in ...
... story in a manner strikingly similar to Lucrece's conceited painter . We have no assurance Shakespeare saw these etchings ; the printing was probably small . But there is evidence that trade in French prints had been established in ...
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... stories from Greek and Roman mythology - stories of gods and heroes such as Achilles , Hercules , Diana , Venus and Adonis , Helen of Troy , and even poor Lucrece - which were treated with quasi - allegorical significance . The figures ...
... stories from Greek and Roman mythology - stories of gods and heroes such as Achilles , Hercules , Diana , Venus and Adonis , Helen of Troy , and even poor Lucrece - which were treated with quasi - allegorical significance . The figures ...
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... in the sense that Vasari means when he writes of la maniera , a style of perfection . Plate 40 - Le Jugement de Paris Jean Mignon's series of six etchings illustrating the Troy story. TRUAX : THE RAPE OF LUCRECE AND PAINTING 19.
... in the sense that Vasari means when he writes of la maniera , a style of perfection . Plate 40 - Le Jugement de Paris Jean Mignon's series of six etchings illustrating the Troy story. TRUAX : THE RAPE OF LUCRECE AND PAINTING 19.
Conteúdo
13 | |
Circe Venus and the Whore of Babylon | 31 |
Italian Cinquecento Art and Shakespeares Last Plays | 54 |
Shakespeare and Marxism | 85 |
Feudal and Bourgeois Concepts of Value in The Merchant of Venice | 87 |
King Lear and the Social Dimensions of Shakespearean Tragic Form 16031608 | 100 |
Interpretations of The Tempest | 113 |
Cracking the Code of The Tempest | 115 |
Contrary Comparisons in The Tempest | 126 |
Shakespeares Creation of a Fit Audience for The Tempest | 136 |
The Perspective of The Tempest | 148 |
Telling the Magician from the Magic in The Tempest | 164 |
Termos e frases comuns
aesthetic Alonso Antony and Cleopatra Antony's Aretino's Ariel aristocratic artist audience becomes Belmont bourgeois concept Caliban capitalism casket characters Circe concept of value contrary contrast created critics Cymbeline death divine dramatic emotion England English etchings evil example experience Ferdinand feudal figure Giulio Romano Gonzalo Hermione Hilliard human Ibid idea ideal imagination imitation Italian King Lear last plays Leontes live Lomazzo London Lucrece Lucrece's Macbeth magic magician Mannerist Mark Antony masque medieval Merchant of Venice metastance Mignon's mind Miranda moral nature Nicholas Hilliard Othello Oxford painter painting passion Pericles perspective picture play's pleasure plot Portia present Prince Prospero reality Renaissance role scene seems sense Shakespeare Shakespeare's play Shylock social identity society sonnets spectator spirit stance story suggests symbolic Tempest theater Timon of Athens tion traditional tragedy tragic trans transcendence transformation Troy truth University Press Vasari Venus vision visual art Winter's Tale York