Shakespeare, Contemporary Critical ApproachesHarry Raphael Garvin, Michael Payne Bucknell University Press, 1980 - 187 páginas The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study. |
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Página 13
... picture of the sack of Troy by a " conceited painter , " an artist of such extraordinary skill that to " A thousand lamentable objects there , / In scorn of nature , art gave lifeless life " ( 1373-74 ) . The imagery Shakespeare uses in ...
... picture of the sack of Troy by a " conceited painter , " an artist of such extraordinary skill that to " A thousand lamentable objects there , / In scorn of nature , art gave lifeless life " ( 1373-74 ) . The imagery Shakespeare uses in ...
Página 14
... picture on the wall ( 1. 456-95 ) and the Sinon incident ( 2. 76 ff . ) ; other fragments could have been derived from a variety of literary sources . But , Shakespeare's interest in music and literature , to say nothing of the ...
... picture on the wall ( 1. 456-95 ) and the Sinon incident ( 2. 76 ff . ) ; other fragments could have been derived from a variety of literary sources . But , Shakespeare's interest in music and literature , to say nothing of the ...
Página 16
... picture also seems to possess : delineation by perspective , distortion , tension , and violent action . Perhaps Shakespeare molded portions of these engravings into a monumental painting of the sack of Troy scene for Lucrece to survey ...
... picture also seems to possess : delineation by perspective , distortion , tension , and violent action . Perhaps Shakespeare molded portions of these engravings into a monumental painting of the sack of Troy scene for Lucrece to survey ...
Página 21
... picture she sees is described as a complex and elaborate treat- ment of the rape of Troy , rendered by an artist who achieves dramatic impact through extraordinary virtuosity in drawing and repeated violations of natural order ...
... picture she sees is described as a complex and elaborate treat- ment of the rape of Troy , rendered by an artist who achieves dramatic impact through extraordinary virtuosity in drawing and repeated violations of natural order ...
Página 22
... picture , too , the scene is a crowded one , " A thou- sand lamentable objects there " : heroes , peasants , cowards , widows , betrayers fill the scene . Far too much , it seems , to include in a single picture , all pushing and ...
... picture , too , the scene is a crowded one , " A thou- sand lamentable objects there " : heroes , peasants , cowards , widows , betrayers fill the scene . Far too much , it seems , to include in a single picture , all pushing and ...
Conteúdo
13 | |
Circe Venus and the Whore of Babylon | 31 |
Italian Cinquecento Art and Shakespeares Last Plays | 54 |
Shakespeare and Marxism | 85 |
Feudal and Bourgeois Concepts of Value in The Merchant of Venice | 87 |
King Lear and the Social Dimensions of Shakespearean Tragic Form 16031608 | 100 |
Interpretations of The Tempest | 113 |
Cracking the Code of The Tempest | 115 |
Contrary Comparisons in The Tempest | 126 |
Shakespeares Creation of a Fit Audience for The Tempest | 136 |
The Perspective of The Tempest | 148 |
Telling the Magician from the Magic in The Tempest | 164 |
Termos e frases comuns
aesthetic Alonso Antony and Cleopatra Antony's Aretino's Ariel aristocratic artist audience becomes Belmont bourgeois concept Caliban capitalism casket characters Circe concept of value contrary contrast created critics Cymbeline death divine dramatic emotion England English etchings evil example experience Ferdinand feudal figure Giulio Romano Gonzalo Hermione Hilliard human Ibid idea ideal imagination imitation Italian King Lear last plays Leontes live Lomazzo London Lucrece Lucrece's Macbeth magic magician Mannerist Mark Antony masque medieval Merchant of Venice metastance Mignon's mind Miranda moral nature Nicholas Hilliard Othello Oxford painter painting passion Pericles perspective picture play's pleasure plot Portia present Prince Prospero reality Renaissance role scene seems sense Shakespeare Shakespeare's play Shylock social identity society sonnets spectator spirit stance story suggests symbolic Tempest theater Timon of Athens tion traditional tragedy tragic trans transcendence transformation Troy truth University Press Vasari Venus vision visual art Winter's Tale York