Shakespeare, Contemporary Critical ApproachesHarry Raphael Garvin, Michael Payne Bucknell University Press, 1980 - 187 páginas The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study. |
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Página 9
... natural rivals . Valiantly our staff started the process again , referring to our first Shakespeare issue as The Great Shakespeare Robbery . Michael D. Payne 9 Shakespeare and Iconography Lucrece ! What hath your conceited painter ...
... natural rivals . Valiantly our staff started the process again , referring to our first Shakespeare issue as The Great Shakespeare Robbery . Michael D. Payne 9 Shakespeare and Iconography Lucrece ! What hath your conceited painter ...
Página 13
... nature , art gave lifeless life " ( 1373-74 ) . The imagery Shakespeare uses in the succeeding lines to evoke this painting is so vivid that readers have often felt compelled to think that Shakespeare may have had an actual picture in ...
... nature , art gave lifeless life " ( 1373-74 ) . The imagery Shakespeare uses in the succeeding lines to evoke this painting is so vivid that readers have often felt compelled to think that Shakespeare may have had an actual picture in ...
Página 17
... Nature in trifling details , good rule , better order , correct proportion , perfect design and divine grace , prolific and diving to the depth of art , endowing ... figures with motion and breath . " Is It should be noted , however ...
... Nature in trifling details , good rule , better order , correct proportion , perfect design and divine grace , prolific and diving to the depth of art , endowing ... figures with motion and breath . " Is It should be noted , however ...
Página 18
... Nature of her custom , so perfectly he is her ape : he so near to Hermione hath done Hermione that they say one would speak to her and stand in hope of an answer . ( 5.2 . 95-105 ) Unquestionably , by 1610 Shakespeare knew Romano's ...
... Nature of her custom , so perfectly he is her ape : he so near to Hermione hath done Hermione that they say one would speak to her and stand in hope of an answer . ( 5.2 . 95-105 ) Unquestionably , by 1610 Shakespeare knew Romano's ...
Página 21
... natural order . Shakespeare's sympathetic narrator begins : At last she calls to mind where hangs a piece Of skilful painting , made for Priam's Troy ; Before the which is drawn the power of Greece , For Helen's rape the city to destroy ...
... natural order . Shakespeare's sympathetic narrator begins : At last she calls to mind where hangs a piece Of skilful painting , made for Priam's Troy ; Before the which is drawn the power of Greece , For Helen's rape the city to destroy ...
Conteúdo
13 | |
Circe Venus and the Whore of Babylon | 31 |
Italian Cinquecento Art and Shakespeares Last Plays | 54 |
Shakespeare and Marxism | 85 |
Feudal and Bourgeois Concepts of Value in The Merchant of Venice | 87 |
King Lear and the Social Dimensions of Shakespearean Tragic Form 16031608 | 100 |
Interpretations of The Tempest | 113 |
Cracking the Code of The Tempest | 115 |
Contrary Comparisons in The Tempest | 126 |
Shakespeares Creation of a Fit Audience for The Tempest | 136 |
The Perspective of The Tempest | 148 |
Telling the Magician from the Magic in The Tempest | 164 |
Termos e frases comuns
aesthetic Alonso Antony and Cleopatra Antony's Aretino's Ariel aristocratic artist audience becomes Belmont bourgeois concept Caliban capitalism casket characters Circe concept of value contrary contrast created critics Cymbeline death divine dramatic emotion England English etchings evil example experience Ferdinand feudal figure Giulio Romano Gonzalo Hermione Hilliard human Ibid idea ideal imagination imitation Italian King Lear last plays Leontes live Lomazzo London Lucrece Lucrece's Macbeth magic magician Mannerist Mark Antony masque medieval Merchant of Venice metastance Mignon's mind Miranda moral nature Nicholas Hilliard Othello Oxford painter painting passion Pericles perspective picture play's pleasure plot Portia present Prince Prospero reality Renaissance role scene seems sense Shakespeare Shakespeare's play Shylock social identity society sonnets spectator spirit stance story suggests symbolic Tempest theater Timon of Athens tion traditional tragedy tragic trans transcendence transformation Troy truth University Press Vasari Venus vision visual art Winter's Tale York