Shakespeare, Contemporary Critical ApproachesHarry Raphael Garvin, Michael Payne Bucknell University Press, 1980 - 187 páginas The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study. |
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Página 16
... appears to have used the work as a source for several incidents in his plays . 12 Among the intelligentsia in England Harington's transla- tion was one of the bestsellers of the day and its forty - six engraved il- lustrations made it ...
... appears to have used the work as a source for several incidents in his plays . 12 Among the intelligentsia in England Harington's transla- tion was one of the bestsellers of the day and its forty - six engraved il- lustrations made it ...
Página 20
... appears tranquil , but tension is evident in the twisted arrangement of the nude bodies ( which are elongated and distorted in shape as well as posture ) , and the dynamic torsion of the trees and grasses . The sacred geese whose cries ...
... appears tranquil , but tension is evident in the twisted arrangement of the nude bodies ( which are elongated and distorted in shape as well as posture ) , and the dynamic torsion of the trees and grasses . The sacred geese whose cries ...
Página 21
... appears like an island of strange and poignant calm . The passage on the Trojan war in Shakespeare's poem also ... appear in the midst , open - mouthed in agony , their bodies lost from sight under a massive heap of men and animals . In ...
... appears like an island of strange and poignant calm . The passage on the Trojan war in Shakespeare's poem also ... appear in the midst , open - mouthed in agony , their bodies lost from sight under a massive heap of men and animals . In ...
Página 22
... appear The very eyes of men through loop - holes thrust , Gazing upon the Greeks with little lust : Such sweet observance in this work was had , That one might see those far - off eyes look sad . ( 11. 1382-86 ) In Lucrece's picture ...
... appear The very eyes of men through loop - holes thrust , Gazing upon the Greeks with little lust : Such sweet observance in this work was had , That one might see those far - off eyes look sad . ( 11. 1382-86 ) In Lucrece's picture ...
Página 27
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O conteúdo desta página é restrito.
Conteúdo
13 | |
Circe Venus and the Whore of Babylon | 31 |
Italian Cinquecento Art and Shakespeares Last Plays | 54 |
Shakespeare and Marxism | 85 |
Feudal and Bourgeois Concepts of Value in The Merchant of Venice | 87 |
King Lear and the Social Dimensions of Shakespearean Tragic Form 16031608 | 100 |
Interpretations of The Tempest | 113 |
Cracking the Code of The Tempest | 115 |
Contrary Comparisons in The Tempest | 126 |
Shakespeares Creation of a Fit Audience for The Tempest | 136 |
The Perspective of The Tempest | 148 |
Telling the Magician from the Magic in The Tempest | 164 |
Termos e frases comuns
aesthetic Alonso Antony and Cleopatra Antony's Aretino's Ariel aristocratic artist audience becomes Belmont bourgeois concept Caliban capitalism casket characters Circe concept of value contrary contrast created critics Cymbeline death divine dramatic emotion England English etchings evil example experience Ferdinand feudal figure Giulio Romano Gonzalo Hermione Hilliard human Ibid idea ideal imagination imitation Italian King Lear last plays Leontes live Lomazzo London Lucrece Lucrece's Macbeth magic magician Mannerist Mark Antony masque medieval Merchant of Venice metastance Mignon's mind Miranda moral nature Nicholas Hilliard Othello Oxford painter painting passion Pericles perspective picture play's pleasure plot Portia present Prince Prospero reality Renaissance role scene seems sense Shakespeare Shakespeare's play Shylock social identity society sonnets spectator spirit stance story suggests symbolic Tempest theater Timon of Athens tion traditional tragedy tragic trans transcendence transformation Troy truth University Press Vasari Venus vision visual art Winter's Tale York