Shakespeare, Contemporary Critical ApproachesHarry Raphael Garvin, Michael Payne Bucknell University Press, 1980 - 187 páginas The study and criticism of Shakespeare has always been of major interest in the literary world but never more than in the last ten years. The essays in this volume explore Shakespeare's art that is complementary to the experience of his plays. The feelings of the essays create a sensitive atmosphere for creative study. |
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... Shakespeare has always been of major in- terest in the literary world but never more than in the last ten years . The essays in this issue of the Bucknell Review explore dimensions of Shakespeare's contributions that have rarely been ...
... Shakespeare has always been of major in- terest in the literary world but never more than in the last ten years . The essays in this issue of the Bucknell Review explore dimensions of Shakespeare's contributions that have rarely been ...
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... to the Editor , Bucknell University , Lewisburg , Pennsylvania 17837. Subscription , $ 18.00 per volume of two issues ; single copy $ 12.00 . BUCKNELL REVIEW Shakespeare : Contemporary Critical Approaches Edited by HARRY.
... to the Editor , Bucknell University , Lewisburg , Pennsylvania 17837. Subscription , $ 18.00 per volume of two issues ; single copy $ 12.00 . BUCKNELL REVIEW Shakespeare : Contemporary Critical Approaches Edited by HARRY.
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... Shakespeare and Marxism Fuedal and Bourgeois Concepts of Value in The Merchant of Venice BURTON HATLEN 91 King Lear and the Social Dimension of Shakespearean Tragic Form , 1603-1608 WALTER COHEN 106 Interpretations of The Tempest ...
... Shakespeare and Marxism Fuedal and Bourgeois Concepts of Value in The Merchant of Venice BURTON HATLEN 91 King Lear and the Social Dimension of Shakespearean Tragic Form , 1603-1608 WALTER COHEN 106 Interpretations of The Tempest ...
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... Shakespeare's Creation of a Fit Audience for The Tempest JEAN E. HOWARD 142 The Shakespearean Metastance : The Perspective of The Tempest JAMES P. DRISCOLL 154 Telling the Magician from the Magic in The Tempest BARBARA L. ESTRIN 170 ...
... Shakespeare's Creation of a Fit Audience for The Tempest JEAN E. HOWARD 142 The Shakespearean Metastance : The Perspective of The Tempest JAMES P. DRISCOLL 154 Telling the Magician from the Magic in The Tempest BARBARA L. ESTRIN 170 ...
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... Shakespeare and Renaissance art . CLIFFORD DAVIDSON : Teaches at Western Michigan University . Executive Editor of Early Drama , Art and Music ; an editor of Comparative Drama . Publications : articles on medieval and Renaissance drama ...
... Shakespeare and Renaissance art . CLIFFORD DAVIDSON : Teaches at Western Michigan University . Executive Editor of Early Drama , Art and Music ; an editor of Comparative Drama . Publications : articles on medieval and Renaissance drama ...
Conteúdo
13 | |
Circe Venus and the Whore of Babylon | 31 |
Italian Cinquecento Art and Shakespeares Last Plays | 54 |
Shakespeare and Marxism | 85 |
Feudal and Bourgeois Concepts of Value in The Merchant of Venice | 87 |
King Lear and the Social Dimensions of Shakespearean Tragic Form 16031608 | 100 |
Interpretations of The Tempest | 113 |
Cracking the Code of The Tempest | 115 |
Contrary Comparisons in The Tempest | 126 |
Shakespeares Creation of a Fit Audience for The Tempest | 136 |
The Perspective of The Tempest | 148 |
Telling the Magician from the Magic in The Tempest | 164 |
Termos e frases comuns
aesthetic Alonso Antony and Cleopatra Antony's Aretino's Ariel aristocratic artist audience becomes Belmont bourgeois concept Caliban capitalism casket characters Circe concept of value contrary contrast created critics Cymbeline death divine dramatic emotion England English etchings evil example experience Ferdinand feudal figure Giulio Romano Gonzalo Hermione Hilliard human Ibid idea ideal imagination imitation Italian King Lear last plays Leontes live Lomazzo London Lucrece Lucrece's Macbeth magic magician Mannerist Mark Antony masque medieval Merchant of Venice metastance Mignon's mind Miranda moral nature Nicholas Hilliard Othello Oxford painter painting passion Pericles perspective picture play's pleasure plot Portia present Prince Prospero reality Renaissance role scene seems sense Shakespeare Shakespeare's play Shylock social identity society sonnets spectator spirit stance story suggests symbolic Tempest theater Timon of Athens tion traditional tragedy tragic trans transcendence transformation Troy truth University Press Vasari Venus vision visual art Winter's Tale York