Shakespeare's Comedy of LoveRoutledge, 11.10.2013 - 288 Seiten First published in 1987. |
Im Buch
Ergebnisse 1-5 von 30
Seite 24
... play may have been written before the founding of the Lord Chamberlain's Men , and we have no means of knowing if Shakespeare had Kemp in mind . As the fantasy reaches its climax , mundane reality breaks 24 SHAKESPEARE'S COMEDY OF LOVE.
... play may have been written before the founding of the Lord Chamberlain's Men , and we have no means of knowing if Shakespeare had Kemp in mind . As the fantasy reaches its climax , mundane reality breaks 24 SHAKESPEARE'S COMEDY OF LOVE.
Seite 27
... lord , And hath so humbled me as I confess There is no woe to his correction , Nor to his service no such joy on earth . ( II . iv . 132-5 ) There are touches of the Berowne point of view : arguably in the last line of the speech just ...
... lord , And hath so humbled me as I confess There is no woe to his correction , Nor to his service no such joy on earth . ( II . iv . 132-5 ) There are touches of the Berowne point of view : arguably in the last line of the speech just ...
Seite 41
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Seite 42
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Seite 43
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Inhalt
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision