Shakespeare's Comedy of LoveRoutledge, 11.10.2013 - 288 Seiten First published in 1987. |
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Seite 9
... idea , a single pat- tern of images , or a particular kind of story , then individual scenes or characters may be understood from that point of view alone , and thus denied their full life . By the same token , since so many of ...
... idea , a single pat- tern of images , or a particular kind of story , then individual scenes or characters may be understood from that point of view alone , and thus denied their full life . By the same token , since so many of ...
Seite 11
... idea of Plautus , the idea of confusion . The Comedy of Errors is unusual in that mistaken identity is itself the primary motif , not ( as in As You Like It or Twelfth Night ) a techni- cal device to aid the presentation of some other ...
... idea of Plautus , the idea of confusion . The Comedy of Errors is unusual in that mistaken identity is itself the primary motif , not ( as in As You Like It or Twelfth Night ) a techni- cal device to aid the presentation of some other ...
Seite 12
... idea of surrender is still innocent and uncomplicated , unbruised by reality . In the speeches of the wife , it has become tinged with self - pity and resentment , as we move from the idealism of court- ship to the tensions of the sex ...
... idea of surrender is still innocent and uncomplicated , unbruised by reality . In the speeches of the wife , it has become tinged with self - pity and resentment , as we move from the idealism of court- ship to the tensions of the sex ...
Seite 13
Alexander Leggatt. The idea of enchantment and transformation - including sur- render in love - is seen from a third angle , that of Dromio of Syra- cuse , and there is a contrast between master and servant , as there is between brother ...
Alexander Leggatt. The idea of enchantment and transformation - including sur- render in love - is seen from a third angle , that of Dromio of Syra- cuse , and there is a contrast between master and servant , as there is between brother ...
Seite 16
... idea of ' justice ' is different and the Duke has no idea what the problem is.12 In the last scene the Abbess , not the Duke , is the real figure of authority , remaining calm and clear - headed while he struggles to make sense of the ...
... idea of ' justice ' is different and the Duke has no idea what the problem is.12 In the last scene the Abbess , not the Duke , is the real figure of authority , remaining calm and clear - headed while he struggles to make sense of the ...
Inhalt
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision