Shakespeare's Comedy of LoveRoutledge, 11.10.2013 - 288 Seiten First published in 1987. |
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... Love's Labour's Lost No masque to-night; the wind is come about. The Merchant of Venice Preface The complaint that there is not enough criticism of.
... Love's Labour's Lost No masque to-night; the wind is come about. The Merchant of Venice Preface The complaint that there is not enough criticism of.
Seite 5
... Love's Labour's Lost 63 5 A Midsummer Night's Dream 89 6 The Merchant of Venice 117 7 Much Ado About Nothing 151 8 As You Like It 185 9 Twelfth Night 10 Conclusion : beyond Twelfth Night 221 255 Acknowledgements I am grateful for the ...
... Love's Labour's Lost 63 5 A Midsummer Night's Dream 89 6 The Merchant of Venice 117 7 Much Ado About Nothing 151 8 As You Like It 185 9 Twelfth Night 10 Conclusion : beyond Twelfth Night 221 255 Acknowledgements I am grateful for the ...
Seite 8
... Love's Labour's Lost No masque to - night ; the wind is come about . The Merchant of Venice Preface The complaint that there is not enough criticism of.
... Love's Labour's Lost No masque to - night ; the wind is come about . The Merchant of Venice Preface The complaint that there is not enough criticism of.
Seite 26
... she spurns my love / The more it grows , and fawneth on her still ' ( IV . ii . 14- 15 ) . Even Valentine , who is happier in love , sees it , not as - Berowne docs in Love's Labour's Lost - as a new 26 SHAKESPEARE'S COMEDY OF LOVE.
... she spurns my love / The more it grows , and fawneth on her still ' ( IV . ii . 14- 15 ) . Even Valentine , who is happier in love , sees it , not as - Berowne docs in Love's Labour's Lost - as a new 26 SHAKESPEARE'S COMEDY OF LOVE.
Seite 27
Alexander Leggatt. Berowne docs in Love's Labour's Lost - as a new faculty for the lover , that ' adds a precious seeing to the eye ' ( iv . iii . 329 ) , but rather as a power imposed on the lover from outside , something which demands ...
Alexander Leggatt. Berowne docs in Love's Labour's Lost - as a new faculty for the lover , that ' adds a precious seeing to the eye ' ( iv . iii . 329 ) , but rather as a power imposed on the lover from outside , something which demands ...
Inhalt
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision