Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the Improvement of Youth in Reading and SpeakingHill and Moore, 1820 - 384 Seiten |
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Seite 31
... able , and another to bave a prospect of actually obtain- ing it . Desire , expresses itself by bending the body forward and stretching the arms toward the object as to grasp it . The countenance smiling , but eager and wishful ; the ...
... able , and another to bave a prospect of actually obtain- ing it . Desire , expresses itself by bending the body forward and stretching the arms toward the object as to grasp it . The countenance smiling , but eager and wishful ; the ...
Seite 41
... able to alter the height , as well as the strength and tone of his voice as occasion requires . Different species of speaking require different heights of voice . Nature in D2 in structs us to relate a story , to support ELOCUTION . 41.
... able to alter the height , as well as the strength and tone of his voice as occasion requires . Different species of speaking require different heights of voice . Nature in D2 in structs us to relate a story , to support ELOCUTION . 41.
Seite 44
... able with a mere glance of the eye , to read any piece with good emphasis and good discretion . It is another office of emphasis to express the opposi- tion between the several parts of a sentence where the style is pointed and ...
... able with a mere glance of the eye , to read any piece with good emphasis and good discretion . It is another office of emphasis to express the opposi- tion between the several parts of a sentence where the style is pointed and ...
Seite 48
... able to fall his voice with propriety and judgment at the close of a sentence , he must be able to keep it from falling , and raise it with all the variation which the sense requires . The best method of correct- ing a uniform cadence ...
... able to fall his voice with propriety and judgment at the close of a sentence , he must be able to keep it from falling , and raise it with all the variation which the sense requires . The best method of correct- ing a uniform cadence ...
Seite 49
... able to add the various expressions of emotion and passion . To enumerate these expressions , and describe them in all their variations , is impracticable . Attempts have been made with some success to analyze the language of ideas ...
... able to add the various expressions of emotion and passion . To enumerate these expressions , and describe them in all their variations , is impracticable . Attempts have been made with some success to analyze the language of ideas ...
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Häufige Begriffe und Wortgruppen
action admire appear arms beauty bill body breast Brutus Caius Verres Carthaginians Cesar charms cheerful Chrysippus Cicero Clodius countenance creatures danger death delight Dendermond e'en earth enemy express eyes father fear fortune gesture give glory grace grief hand happiness hath head heart heaven honor hope hour human John Gilpin Jugurtha kind king Lady G live look Lord manner ment Micipsa Milo mind mouth nature never night noble Numidia o'er object pain passion Patricians person pleasure Pompey praise privy counsellor pronunciation Rhadamanthus rise Roman Rome scene sense sentence shew Sicily side sight smile soul sound speak speaker sweet taste tears thee thing thou thought tion tone Trim truth Twas uncle Toby utterance virtue voice whole words YORK PUBLIC LIBRARY young youth
Beliebte Passagen
Seite 366 - Romans, countrymen, and lovers ! hear me for my cause, and be silent, that you may hear : believe me for mine honour, and have respect to mine honour, that you may believe : censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his.
Seite 350 - For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
Seite 236 - The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, Await alike the inevitable hour: The paths of glory lead but to the grave.
Seite 362 - Why shrinks the soul Back on herself, and startles at destruction ? 'Tis the divinity that stirs within us; 'Tis Heaven itself that points out an hereafter, And intimates eternity to man.
Seite 261 - The praise of Bacchus then the sweet musician sung : Of Bacchus ever fair and ever young : The jolly god in triumph comes ! Sound the trumpets, beat the drums ! Flush'd with a purple grace He shows his honest face : Now give the hautboys breath; he comes, he comes! Bacchus, ever fair and young, Drinking joys did first ordain ; Bacchus...
Seite 359 - tis nobler in the mind, to suffer The slings and arrows of outrageous fortune ; Or to take arms against a sea of troubles, And by opposing end them ? — To die, — to sleep, — No more ; and, by a sleep, to say we end The heart-ache, and the thousand natural shocks That flesh is heir to, — 'tis a consummation Devoutly to be wish'd. To die ; — to sleep : — To sleep ! perchance to dream : — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this...
Seite 249 - Air, and ye Elements, the eldest birth Of Nature's womb, that in quaternion run Perpetual circle, multiform ; and mix And nourish all things ; let your ceaseless change Vary to our Great Maker still new praise.
Seite 367 - I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then to mourn for him? O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me.
Seite 342 - Why, well : Never so truly happy, my good Cromwell. I know myself now ; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Seite 351 - Suit the action to the word, the word to the action: with this special observance, that you o'erstep not the modesty of nature; for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form, and pressure.