The Soul of Athens: Shakespeare's A Midsummer Night's DreamLexington Books, 2003 - 211 páginas The Soul of Athens: Shakespeare's "A Midsummer Night's Dream" studies Shakespeare's portrayal of the founding of Athens through a close reading of one of the Bard's most memorable comedies. Coupling careful attention to detail with interpretive breadth, The Soul of Athens examines the nature of love, the natural doubleness of human thinking and the ambiguous relation of image and reality, as well as patriarchy and democracy, and heroic and moral virtue. |
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... scene - by - scene , line - by - line , through A Midsummer Night's Dream , reaching its conclusions by closely examining Shakespeare's text- his plot , characters , language , allusions , puzzles , and other devices . Shake- speare's ...
... scene - by - scene , line - by - line , through A Midsummer Night's Dream , reaching its conclusions by closely examining Shakespeare's text- his plot , characters , language , allusions , puzzles , and other devices . Shake- speare's ...
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... .15 ) . Theseus , in fact , never mentions a god in his own name after the opening scene , when he admonishes Hermia to think of her father as one and then threatens to punish her with a celibate life in. Introduction.
... .15 ) . Theseus , in fact , never mentions a god in his own name after the opening scene , when he admonishes Hermia to think of her father as one and then threatens to punish her with a celibate life in. Introduction.
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... scene 1- Theseus's central scene - links the ferocity of ancient heroism on the one end and the civility of Athenian intellectual and democratic life on the other . The barbaric passes into the civilized . Fittingly , Theseus's presence ...
... scene 1- Theseus's central scene - links the ferocity of ancient heroism on the one end and the civility of Athenian intellectual and democratic life on the other . The barbaric passes into the civilized . Fittingly , Theseus's presence ...
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Shakespeare's A Midsummer Night's Dream Jan H. Blits. in the scene is followed immediately by the lovers ' discussion of thinking's natural double vision ( 4.1.186-98 ) . Shakespeare's historical compression goes still further . Not only ...
Shakespeare's A Midsummer Night's Dream Jan H. Blits. in the scene is followed immediately by the lovers ' discussion of thinking's natural double vision ( 4.1.186-98 ) . Shakespeare's historical compression goes still further . Not only ...
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... : Washington Square Press , 1993 ) , xii ; Stuart M. Tave , Lovers , Clowns , and Fairies : An Essay on Comedies ( Chicago : University of Chicago Press , 1993 ) , 9 . ACT ONE Act One , Scene One 1. The Martial. 16 ་ Introduction.
... : Washington Square Press , 1993 ) , xii ; Stuart M. Tave , Lovers , Clowns , and Fairies : An Essay on Comedies ( Chicago : University of Chicago Press , 1993 ) , 9 . ACT ONE Act One , Scene One 1. The Martial. 16 ་ Introduction.
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accuses action actors Apollodorus appear Aristotle artisans asks Athenian Athens Athens's audience awake beauty Bottom Cadmus characters comedy confusion Coriolanus Cupid dance death Demetrius Demetrius's describes desire despite doth double dramatic Egeus Egeus's eyes fairies father fear flee flower hate hath hear heart Helena Hermia Hippolyta hounds imagination imitation kill lion literally look love juice love's Lysander Lysander and Demetrius Lysander's marry means mentions Metamorphoses metaphor Midsummer Night's Dream mock moon Moonshine never night Oberon once Ovid passion Philostrate play play's players Plutarch poetry Prologue Puck Puck's Pyramus and Thisbe Pyramus's Quince Quince's reason rehearsal says scene seems sense Shakespeare sight sing sleep Snout Snug song soul speaks speech Starveling suggests sweet tells Thebes thee Theseus Theseus's things Thisbe's thou tion Titania tragedy true love turns Unlike vows wall wants wedding women wonder woods word young lovers