Creativity: Theory, History, PracticePsychology Press, 2005 - 302 Seiten Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organised in four parts:
Rob Pope takes significant steps forward in the process of rethinking a vexed yet vital concept, all the while encouraging and equipping readers to continue the process in their own creative or 're-creative' ways. Creativity: Theory, History, Practice is invaluable for anyone with a live interest in exploring what creativity has been, is currently, and yet may be. |
Im Buch
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... Inspiration by 'an other' 17 Twentieth-century problems 19 Twenty-first-century solutions 22 PART 2 Defining creativity, creating definitions 35 2 Defining creativity historically 37 Divine creation from nothing 37 Humanity begins to ...
... Inspiration and influence, from ecstasy to intertextuality 91 'Gen–': genius, gender, genetics 99 Emerging complexity 116 play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . game 119 order - - - - - - - - - fold here ...
... inspiration into political intervention 203 Creativity and constraint 2: sonnets by various hands 206 Play world! Real life drama 211 Re-generating genre: new from old in the novel 217 Chaoses – some critical moments 230 Real Romantic ...
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Inhalt
Part 1 Why creativity now? | 1 |
Part 2 Dening creativity creating denitions | 35 |
Part 3 Creation as myth story metaphor | 135 |
A critical anthology | 195 |
after the end | 269 |
Further reading by topic | 271 |
281 | |
294 | |