James Joyce and the Language of History: Dedalus's Nightmare
Oxford University Press, 29 de set. de 1994 - 208 páginas
"History is a nightmare from which I am trying to awake." Stephen Dedalus's famous complaint articulates a characteristic modern attitude toward the perceived burden of the past. As Robert Spoo shows in this study, Joyce's creative achievement, from the time of his sojourn in Rome in 1906-07 to the completion of Ulysses in 1922, cannot be understood apart from the ferment of historical thought that dominated the nineteenth and early twentieth centuries. Tracing James Joyce's historiographic art to its formative contexts, Spoo reveals a modernist author passionately engaged with the problem of history, forging a new language that both dramatizes and redefines that problem.
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Aeolus aesthetic anthology artist called century chapter Circe conception of history contest contextualist critics cultural Deasy Deasy's Deasy’s discourse Dublin enthymeme episode of Ulysses Essays Eumaeus experience Ferrero fiction figure Finnegans Wake ghost Hayden White hero historian historical process historiographic history’s human Ibid Ireland ironic Ithaca James Joyce James Joyce Quarterly James Joyce’s Joyce’s Joyce’s Ulysses Jules Laforgue Kenneth Burke Laforgue Laforgue’s language Lecky Leopold Bloom Letters literary literature man’s marriage meaning metaphor modern Molly monocausality narrative Nestor Nietzsche nightmare of history nineteenth-century notion novel organicist Oxen Parnell Parnell’s parody passage past Pater Penelope Phoenix Park murders phrase poem poet Portrait progress Proteus reality rhetoric Roman Rome spirit Stephen and Bloom Stephen Dedalus story structure styles symbolic T. S. Eliot teleological telos textual praxis thinking thought tion tory trans Trieste trope Ulysses University Press Vico Vico’s vision words writing wrote Yeats York young
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