King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite xx
How is the sharp criticism she makes of Goneril and Regan reconciled with the " ever soft , gentle and low ” voice that Lear remembers in V.iii.269–70 ? To what extent is she in charge of the French army , and how strongly does she ...
How is the sharp criticism she makes of Goneril and Regan reconciled with the " ever soft , gentle and low ” voice that Lear remembers in V.iii.269–70 ? To what extent is she in charge of the French army , and how strongly does she ...
Seite 97
Laurence Olivier's Lear , in 1946 , became so angry in this climax to Act II that it was said , “ his voice mounts with his rage until elemental fury reaches its climax : ' I will do ... terrors of the earth .
Laurence Olivier's Lear , in 1946 , became so angry in this climax to Act II that it was said , “ his voice mounts with his rage until elemental fury reaches its climax : ' I will do ... terrors of the earth .
Seite 161
This phrase must draw forth a deeper , instinctive sympathy in Edgar's voice ( and a verbal echo of the doctor in IV.iv. 15 ) ; so much so , that Gloucester begins to question who it is that leads him . Perhaps he feels Edgar's face ...
This phrase must draw forth a deeper , instinctive sympathy in Edgar's voice ( and a verbal echo of the doctor in IV.iv. 15 ) ; so much so , that Gloucester begins to question who it is that leads him . Perhaps he feels Edgar's face ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole