King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 27
Much depends on how true it is that Gloucester “ tenderly and entirely loves " Edgar ( 1. 88 ) ; if absolutely true , the father could be in tears , his emphatic speech pathetic , his mind almost deranged and at the mercy of Edmund ...
Much depends on how true it is that Gloucester “ tenderly and entirely loves " Edgar ( 1. 88 ) ; if absolutely true , the father could be in tears , his emphatic speech pathetic , his mind almost deranged and at the mercy of Edmund ...
Seite 125
Kent is a more stable element , but he hides his true identity . At a first reading , the actors confront a seemingly haphazard collection of confusing signals ; but during rehearsals , as the characters begin to possess the lines ...
Kent is a more stable element , but he hides his true identity . At a first reading , the actors confront a seemingly haphazard collection of confusing signals ; but during rehearsals , as the characters begin to possess the lines ...
Seite 169
As the two stricken men draw painfully and now silently toward a true meeting , Edgar's aside ( II . 13738 ) marks his inability to help ; and it makes more self - conscious the response of an involved audience .
As the two stricken men draw painfully and now silently toward a true meeting , Edgar's aside ( II . 13738 ) marks his inability to help ; and it makes more self - conscious the response of an involved audience .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole