King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 47
... right and necessary thing to do 194-98 Granville - Barker imagined line 194 said with " cold kingliness ” ( Preface ) ; it has also been said ( its eggs are laid in the nests of incredulously , off - balance , or even pathetically .
... right and necessary thing to do 194-98 Granville - Barker imagined line 194 said with " cold kingliness ” ( Preface ) ; it has also been said ( its eggs are laid in the nests of incredulously , off - balance , or even pathetically .
Seite 100
GENTLEMAN Contending with the fretfulo elements : Bids the wind blow the earth into the sea , Or swell the curled waters ' bove the main , o That things might change , or cease ; tears his white hair , Which the impetuous blasts ...
GENTLEMAN Contending with the fretfulo elements : Bids the wind blow the earth into the sea , Or swell the curled waters ' bove the main , o That things might change , or cease ; tears his white hair , Which the impetuous blasts ...
Seite 164
Upon the crown o ' th ' cliff , what thing was that Which parted from you ? GLOUCESTER A poor unfortunate beggar . EDGAR As I stood here below , methought his eyes Were two full moons ; he had a thousand noses , Horns whelkedo and waved ...
Upon the crown o ' th ' cliff , what thing was that Which parted from you ? GLOUCESTER A poor unfortunate beggar . EDGAR As I stood here below , methought his eyes Were two full moons ; he had a thousand noses , Horns whelkedo and waved ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole