King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 50
270 275 LEAR What , fifty of my followers at a clap ? ° Within a fortnight ? ALBANY What's the matter , sir ? LEAR I'll tell thee .- [ To GONERIL ) Life and death , I am ashamed That thou hast power to shake my manhood thus , That these ...
270 275 LEAR What , fifty of my followers at a clap ? ° Within a fortnight ? ALBANY What's the matter , sir ? LEAR I'll tell thee .- [ To GONERIL ) Life and death , I am ashamed That thou hast power to shake my manhood thus , That these ...
Seite 66
Oswald Good dawning to thee , friend . Art of this house ? ° KEN Ay . Oswald Where may we set our horses ? KENT I'th ' mire . o Oswald Prithee , if thou lovest me , tell me . 5 KENT I love thee not . 10 OSWALD Why then , I care not for ...
Oswald Good dawning to thee , friend . Art of this house ? ° KEN Ay . Oswald Where may we set our horses ? KENT I'th ' mire . o Oswald Prithee , if thou lovest me , tell me . 5 KENT I love thee not . 10 OSWALD Why then , I care not for ...
Seite 68
Oswald Why , what a monstrous fellow art thou , thus to rail on one that is neither known of thee nor knows thee ! KENT What a brazen - faced varlet art thou to deny thou knowest a me ! Is it two days since I tripped up thy heels ...
Oswald Why , what a monstrous fellow art thou , thus to rail on one that is neither known of thee nor knows thee ! KENT What a brazen - faced varlet art thou to deny thou knowest a me ! Is it two days since I tripped up thy heels ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole