King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
Im Buch
Ergebnisse 1-3 von 32
Seite 81
He speaks or sings , possibly quietly at first , of winter , loss , and suffering ( II . 45-51 )thoughts that may well be beginning to possess Lear . The few persons on stage hardly move , and the fool then directs at Lear a precise ...
He speaks or sings , possibly quietly at first , of winter , loss , and suffering ( II . 45-51 )thoughts that may well be beginning to possess Lear . The few persons on stage hardly move , and the fool then directs at Lear a precise ...
Seite 115
But Lear is not really interested in anything so much as his own suffering and he stops to justify his curse with conviction and ( to himself ) reasoned argument . Looking at Tom's mutilated body , Lear sometimes reacts by striking his ...
But Lear is not really interested in anything so much as his own suffering and he stops to justify his curse with conviction and ( to himself ) reasoned argument . Looking at Tom's mutilated body , Lear sometimes reacts by striking his ...
Seite 125
For him the “ burning spits ” are as real as the storm had been , its power no longer discriminating or piercing enough to be his minister . Edgar also cries out , in Tom's imagined suffering ( I. 15 ) which is also his own suffering as ...
For him the “ burning spits ” are as real as the storm had been , its power no longer discriminating or piercing enough to be his minister . Edgar also cries out , in Tom's imagined suffering ( I. 15 ) which is also his own suffering as ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole