King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite vi
It does the usual tasks expected of a responsible , modern edition , but adds a very special feature : a continuous commentary on the text by a professional director or a leading actor that considers the stage life of the play as its ...
It does the usual tasks expected of a responsible , modern edition , but adds a very special feature : a continuous commentary on the text by a professional director or a leading actor that considers the stage life of the play as its ...
Seite 15
176-83 Breaking a shocked silence ( indicated by the half - line , 175 ) , Kent takes his leave , no longer pleading with Lear , but taking command of the stage as he addresses in turn first him , then his daughters and then all ...
176-83 Breaking a shocked silence ( indicated by the half - line , 175 ) , Kent takes his leave , no longer pleading with Lear , but taking command of the stage as he addresses in turn first him , then his daughters and then all ...
Seite 191
1-4 Trumpets , drums and cries , and then hurried movement across the stage , represent the onset of battle . In the midst of it , Lear and Cordelia are seen briefly . When the stage is clear again , Edgar enters to place Gloucester in ...
1-4 Trumpets , drums and cries , and then hurried movement across the stage , represent the onset of battle . In the midst of it , Lear and Cordelia are seen briefly . When the stage is clear again , Edgar enters to place Gloucester in ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole