King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 135
In performance various physical persuasions are employed by the servants under silent instructions , or by Regan herself . The half - truth of lines 47-49 collapses quickly , and then Gloucester , more desperately , tries to satisfy his ...
In performance various physical persuasions are employed by the servants under silent instructions , or by Regan herself . The half - truth of lines 47-49 collapses quickly , and then Gloucester , more desperately , tries to satisfy his ...
Seite 136
75 80 1 O FIRST SERVANT Hold your hand , my lord ! I have served you ever since I was a child ; But better service have I never done you Than now to bid you hold . ° REGAN How now , you dog ? FIRST SERVANT If you did wear a beard upon ...
75 80 1 O FIRST SERVANT Hold your hand , my lord ! I have served you ever since I was a child ; But better service have I never done you Than now to bid you hold . ° REGAN How now , you dog ? FIRST SERVANT If you did wear a beard upon ...
Seite 137
The servant is younger than his master , and stands up to Regan with words precisely appropriate to the indignity he has seen her inflict on Gloucester . The fight and Regan's killing stroke are soon over ; and as the servant cries out ...
The servant is younger than his master , and stands up to Regan with words precisely appropriate to the indignity he has seen her inflict on Gloucester . The fight and Regan's killing stroke are soon over ; and as the servant cries out ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole