King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 19
Or does Lear suffer again from a sense of loss , which he has to struggle to hide as he holds “ firm ” in denying his love ? After this , another pause ( he also speaks an incomplete verse - line ) ensures that Lear's reaffirmation ...
Or does Lear suffer again from a sense of loss , which he has to struggle to hide as he holds “ firm ” in denying his love ? After this , another pause ( he also speaks an incomplete verse - line ) ensures that Lear's reaffirmation ...
Seite 177
Gloucester may not hear , but calls across to find out what has happened : his question may imply regret that he has diligent not died himself , or it may express more generally submissive his sense of doom .
Gloucester may not hear , but calls across to find out what has happened : his question may imply regret that he has diligent not died himself , or it may express more generally submissive his sense of doom .
Seite 205
Shakespeare has ensured that the tragedy should not draw towards its close with a sense cracked that all in its tangled web was for the best . When Edgar comes to his father's death , his speech is suffused with pity and tenderness .
Shakespeare has ensured that the tragedy should not draw towards its close with a sense cracked that all in its tangled web was for the best . When Edgar comes to his father's death , his speech is suffused with pity and tenderness .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole