King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 49
is the first of a series of repetitions in which Lear's feelings seem to overpower intention and purposeful speech . With “ Go , go , my people ” , he seems to give in to Goneril and turn away for escape . appearest carrion bird finest ...
is the first of a series of repetitions in which Lear's feelings seem to overpower intention and purposeful speech . With “ Go , go , my people ” , he seems to give in to Goneril and turn away for escape . appearest carrion bird finest ...
Seite 137
The restoration of Edgar to his love is so quick and complete that it must seem as if Gloucester had already thought of this possibility earlier ( see III.iv. 151-56 ) . ... Either way , line 92 seems to complete the change in him .
The restoration of Edgar to his love is so quick and complete that it must seem as if Gloucester had already thought of this possibility earlier ( see III.iv. 151-56 ) . ... Either way , line 92 seems to complete the change in him .
Seite 217
Possibly it represented a rewriting of the play because , despite its omissions , it includes some hundred lines that are not to be found in Q. In numerous instances , F and D seem to offer alternative versions , rather than error and ...
Possibly it represented a rewriting of the play because , despite its omissions , it includes some hundred lines that are not to be found in Q. In numerous instances , F and D seem to offer alternative versions , rather than error and ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole