King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 112
Poor naked wretches , wheresoe'er you are , That bideo the pelting of this pitiless storm , How shall your houseless heads and unfed sides , o Your looped and windowedo raggedness , defend you From seasonso such as these ?
Poor naked wretches , wheresoe'er you are , That bideo the pelting of this pitiless storm , How shall your houseless heads and unfed sides , o Your looped and windowedo raggedness , defend you From seasonso such as these ?
Seite 116
Let not the creaking of shoes nor the rustling of silks betray thy poor heart to woman . Keep thy foot out of brothels , thy hand out of plackets , o thy pen from lenders ' books ; ° and defy the foul fiend . Still through the hawthorn ...
Let not the creaking of shoes nor the rustling of silks betray thy poor heart to woman . Keep thy foot out of brothels , thy hand out of plackets , o thy pen from lenders ' books ; ° and defy the foul fiend . Still through the hawthorn ...
Seite 119
Gloucester's distress will heighten Edgar's ; so that " Poor Tom's a - cold " is deeply felt ( I. 133 ) , not a prelude to more nightmare fantasy , as at lines 54 and 76. This potentially intense encounter between father and son comes ...
Gloucester's distress will heighten Edgar's ; so that " Poor Tom's a - cold " is deeply felt ( I. 133 ) , not a prelude to more nightmare fantasy , as at lines 54 and 76. This potentially intense encounter between father and son comes ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole