King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
Im Buch
Ergebnisse 1-3 von 37
Seite 7
Lines 37 , 41 , and 44 could each be my love is too huge for words spoken as two half - lines , with pauses that play up , to express / control consciously , the drama of the situation . 51-78 The half - line 50 implies a hushed pause ...
Lines 37 , 41 , and 44 could each be my love is too huge for words spoken as two half - lines , with pauses that play up , to express / control consciously , the drama of the situation . 51-78 The half - line 50 implies a hushed pause ...
Seite 81
Despite graphic and dramatic details of his unfolding story , whenever Kent pauses or lessens the narrative drive , attention ... The half - line 44 marks a definite pause , in which Lear may either try in vain to reply , or stand as if ...
Despite graphic and dramatic details of his unfolding story , whenever Kent pauses or lessens the narrative drive , attention ... The half - line 44 marks a definite pause , in which Lear may either try in vain to reply , or stand as if ...
Seite 159
The double - entendres and the pauses ( indicated by incomplete verse - lines ) in this scene are probably best ... ( before or after a longish pause ) can be laughably frightened ( in view of his earlier cowardice ) ; or it can be part ...
The double - entendres and the pauses ( indicated by incomplete verse - lines ) in this scene are probably best ... ( before or after a longish pause ) can be laughably frightened ( in view of his earlier cowardice ) ; or it can be part ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole