King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 49
Rhythms become slower and stronger , images more physical : pain and the loss of “ ove ” are now expressed openly . " Lear , Lear , Lear ! " is the first of a series of repetitions in which Lear's feelings seem to overpower intention ...
Rhythms become slower and stronger , images more physical : pain and the loss of “ ove ” are now expressed openly . " Lear , Lear , Lear ! " is the first of a series of repetitions in which Lear's feelings seem to overpower intention ...
Seite 203
As Edmund refuses , there is probably a scream from offstage where Goneril is killing herself ( see lines 219-24 ) . Edmund's refusal to speak can be impatient , as he struggles with pain ; or it can be a resolute refusal to treat ...
As Edmund refuses , there is probably a scream from offstage where Goneril is killing herself ( see lines 219-24 ) . Edmund's refusal to speak can be impatient , as he struggles with pain ; or it can be a resolute refusal to treat ...
Seite 213
But his death is protracted and so presented that the audience's closest attention is drawn to each last flickering of anger , grief , authority , pain and joy . An eyewitness wrote that Henry Irving , as Lear , having parted the hair ...
But his death is protracted and so presented that the audience's closest attention is drawn to each last flickering of anger , grief , authority , pain and joy . An eyewitness wrote that Henry Irving , as Lear , having parted the hair ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole