King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 41
fool's cap ( offered as earnest ) fellow if to please every new situation i.e. , from his love ( by giving them his ... Some fools , however , give all their attention to the tricks of the moment , and indeed these interchanges offer ...
fool's cap ( offered as earnest ) fellow if to please every new situation i.e. , from his love ( by giving them his ... Some fools , however , give all their attention to the tricks of the moment , and indeed these interchanges offer ...
Seite 159
purport these by offering wholly political speculations to account for her interest in Goneril's letter ( II . ... others reach out to touch Oswald's hand or embrace ( and sometimes even kiss ) him ; some offer money .
purport these by offering wholly political speculations to account for her interest in Goneril's letter ( II . ... others reach out to touch Oswald's hand or embrace ( and sometimes even kiss ) him ; some offer money .
Seite 217
... we have of what Shakespeare wrote , and for much of the play it offers a text derived from an authentic manuscript . ... in Q. In numerous instances , F and D seem to offer alternative versions , rather than error and correction .
... we have of what Shakespeare wrote , and for much of the play it offers a text derived from an authentic manuscript . ... in Q. In numerous instances , F and D seem to offer alternative versions , rather than error and correction .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole