King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 88
Nature in you stands on the very verge Of his confine . ° You should be ruled , and led By some discretion that discerns your stateo Better than you yourself . Therefore I pray you That to our sister you do make return : Say you have ...
Nature in you stands on the very verge Of his confine . ° You should be ruled , and led By some discretion that discerns your stateo Better than you yourself . Therefore I pray you That to our sister you do make return : Say you have ...
Seite 94
Allow not nature more than nature needs ; Man's life is cheap as beast's . Thou art a lady : If only to go warm were gorgeous , Why , nature needs not what thou gorgeous wear'st , Which scarcely keeps thee warm .
Allow not nature more than nature needs ; Man's life is cheap as beast's . Thou art a lady : If only to go warm were gorgeous , Why , nature needs not what thou gorgeous wear'st , Which scarcely keeps thee warm .
Seite 128
Is there any cause in nature that makes these hard hearts ? [ To EDGAR ] You , sir , I entertaino for one of my hundred ; only I do not like the fashion of your garments . You will say they are Persian ; o but let them be changed .
Is there any cause in nature that makes these hard hearts ? [ To EDGAR ] You , sir , I entertaino for one of my hundred ; only I do not like the fashion of your garments . You will say they are Persian ; o but let them be changed .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole