King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 39
Lear changes , and becomes reflective and troubled ; with “ I will look further into't , ” he silences the knight and calls , for the third time , for his fool . When the knight mentions Cordelia ( but not by name ) , he is abruptly ...
Lear changes , and becomes reflective and troubled ; with “ I will look further into't , ” he silences the knight and calls , for the third time , for his fool . When the knight mentions Cordelia ( but not by name ) , he is abruptly ...
Seite 81
At line 40 , Kent may look for a sign of recognition ; this will ensure that the focus is unequivocally on Lear . The half - line 44 marks a definite pause , in which Lear may either try in vain to reply , or stand as if stunned ...
At line 40 , Kent may look for a sign of recognition ; this will ensure that the focus is unequivocally on Lear . The half - line 44 marks a definite pause , in which Lear may either try in vain to reply , or stand as if stunned ...
Seite 164
Look up a - height ; " the shrill - gorgedo lark so far Cannot be seen or heard . Do but look up . GLOUCESTER Alack , I have no eyes . Is wretchedness deprived that benefit , To end itself by death ?
Look up a - height ; " the shrill - gorgedo lark so far Cannot be seen or heard . Do but look up . GLOUCESTER Alack , I have no eyes . Is wretchedness deprived that benefit , To end itself by death ?
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole