King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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INTRODUCTION The Tragedy of King Lear was performed by the King's Men at the court of James I in Whitehall Palace , London , on St. Stephen's Day , December 26 , 1606. There is no earlier record of Shakespeare's play , but sometime ...
INTRODUCTION The Tragedy of King Lear was performed by the King's Men at the court of James I in Whitehall Palace , London , on St. Stephen's Day , December 26 , 1606. There is no earlier record of Shakespeare's play , but sometime ...
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King Lear , like the others , has many references to the gods , whose influence its characters pray for or consciously defy , but this tragedy has no irrefutable and independent manifestation of the supernatural .
King Lear , like the others , has many references to the gods , whose influence its characters pray for or consciously defy , but this tragedy has no irrefutable and independent manifestation of the supernatural .
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2 In modern times , especially after the Second World War , King Lear has been produced much more frequently . The most notable interpreters of Lear himself have included John Gielgud , Laurence Olivier , Donald Wolfit , Michael ...
2 In modern times , especially after the Second World War , King Lear has been produced much more frequently . The most notable interpreters of Lear himself have included John Gielgud , Laurence Olivier , Donald Wolfit , Michael ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole