King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Fool If I gave them all my living , ° I'd keep my coxcombs myself . There's mine ; beg another of thy daughters.o [ Offers Lear his cap . ] LEAR Take heed , sirrah , the whip ! 95 FOOL Truth's a dog must to kennel ; o he must be whipped ...
Fool If I gave them all my living , ° I'd keep my coxcombs myself . There's mine ; beg another of thy daughters.o [ Offers Lear his cap . ] LEAR Take heed , sirrah , the whip ! 95 FOOL Truth's a dog must to kennel ; o he must be whipped ...
Seite 44
Prithee , nuncle , keep a schoolmaster that can teach thy fool to lie ; I would fain learn to lie . LEAR Ando you lie , sirrah , we'll have you whipped . Fool I marvel what kin thou and thy daughters are : they'll 160 have me whipped ...
Prithee , nuncle , keep a schoolmaster that can teach thy fool to lie ; I would fain learn to lie . LEAR Ando you lie , sirrah , we'll have you whipped . Fool I marvel what kin thou and thy daughters are : they'll 160 have me whipped ...
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I'll dunk your insubstantial being ( in sweat or blood ) base * fop 22-38 Oswald may keep his temper up to and including his rebuke of Kent ( II . 22-23 ) ; if so , Kent will be laughed at as well as with . But certainly when Kent makes ...
I'll dunk your insubstantial being ( in sweat or blood ) base * fop 22-38 Oswald may keep his temper up to and including his rebuke of Kent ( II . 22-23 ) ; if so , Kent will be laughed at as well as with . But certainly when Kent makes ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole