King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 89
But here he is speaking of what he will not do and so may well stand , despite his weariness and his need to be understood ; he could laugh outrageously or grip hold of Regan . Something “ unsightly ” ( see I. 151 ) is called for here ...
But here he is speaking of what he will not do and so may well stand , despite his weariness and his need to be understood ; he could laugh outrageously or grip hold of Regan . Something “ unsightly ” ( see I. 151 ) is called for here ...
Seite 135
Usually the tear , slash servants and his tormentors hold bac if they do attempt to restrain him , his denunciation will still maintain its own impressive way . risen * extinguished fixed * stars 67-70 Cornwall mocks the prophecy with a ...
Usually the tear , slash servants and his tormentors hold bac if they do attempt to restrain him , his denunciation will still maintain its own impressive way . risen * extinguished fixed * stars 67-70 Cornwall mocks the prophecy with a ...
Seite 136
75 80 1 O FIRST SERVANT Hold your hand , my lord ! I have served you ever since I was a child ; But better service have I never done you Than now to bid you hold . ° REGAN How now , you dog ? FIRST SERVANT If you did wear a beard upon ...
75 80 1 O FIRST SERVANT Hold your hand , my lord ! I have served you ever since I was a child ; But better service have I never done you Than now to bid you hold . ° REGAN How now , you dog ? FIRST SERVANT If you did wear a beard upon ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole