King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 20
GONERIL Let your studyo Be to content your lord , who hath received you At Fortune's alms . ° You have obedience scanted , o And well are worth the want that you have wanted . ° CORDELIA Time shall unfoldo what plightedo cunning hides ...
GONERIL Let your studyo Be to content your lord , who hath received you At Fortune's alms . ° You have obedience scanted , o And well are worth the want that you have wanted . ° CORDELIA Time shall unfoldo what plightedo cunning hides ...
Seite 52
GONERIL This man hath had good counsel - a hundred knights ! ' Tis politic and safe to let him keep At pointo a hundred knights ! Yes , that on every dream , Each buzz , each fancy , each complaint , dislike , He may enguardo his dotage ...
GONERIL This man hath had good counsel - a hundred knights ! ' Tis politic and safe to let him keep At pointo a hundred knights ! Yes , that on every dream , Each buzz , each fancy , each complaint , dislike , He may enguardo his dotage ...
Seite 118
GLOUCESTER What , hath Your Grace no better company ? EDGAR The Prince of Darkness is a gentleman ; ° Modo he's called , and Mahu . 130 GLOUCESTER Our flesh and blood , my lord , is grown so vile That it doth hate what getso it .
GLOUCESTER What , hath Your Grace no better company ? EDGAR The Prince of Darkness is a gentleman ; ° Modo he's called , and Mahu . 130 GLOUCESTER Our flesh and blood , my lord , is grown so vile That it doth hate what getso it .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole