King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 5
The order of the original stage direction is sometimes ignored , so that Lear enters after everyone else is positioned ( losing an impression of impatience ) , or hand - in - hand with Cordelia ( showing a need for his favorite daughter ...
The order of the original stage direction is sometimes ignored , so that Lear enters after everyone else is positioned ( losing an impression of impatience ) , or hand - in - hand with Cordelia ( showing a need for his favorite daughter ...
Seite 159
Some Regans sound desperate here ; others reach out to touch Oswald's hand or embrace ( and sometimes even kiss ) him ; some offer money . But by now they seem to know each other very well , so that this line , with all its uncertainty ...
Some Regans sound desperate here ; others reach out to touch Oswald's hand or embrace ( and sometimes even kiss ) him ; some offer money . But by now they seem to know each other very well , so that this line , with all its uncertainty ...
Seite 162
EDGAR Give me your hand . You are now within a foot Of th ' extreme verge . For all beneath the moon Would I not leap upright.o GLOUCESTER Let go my hand . Here , friend , ' s another purse ; in it a jewel Well worth a poor man's taking ...
EDGAR Give me your hand . You are now within a foot Of th ' extreme verge . For all beneath the moon Would I not leap upright.o GLOUCESTER Let go my hand . Here , friend , ' s another purse ; in it a jewel Well worth a poor man's taking ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole