King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 42
FOOL That lord that counseled thee To give away thy land , Come place him here by me ; Do thou for him stand . ° 125 The sweet and bitter fool Will presently appear : The one in motleyo here , The other found out there .
FOOL That lord that counseled thee To give away thy land , Come place him here by me ; Do thou for him stand . ° 125 The sweet and bitter fool Will presently appear : The one in motleyo here , The other found out there .
Seite 112
This tempest will not give me leave to ponder On things would hurt me more , but I'll go in . [ To the Fool ] In , boy ; go first . — You houseless poverty ! o— Nay , get thee in . I'll pray , and then I'll sleep . Exit ( Fool ) .
This tempest will not give me leave to ponder On things would hurt me more , but I'll go in . [ To the Fool ] In , boy ; go first . — You houseless poverty ! o— Nay , get thee in . I'll pray , and then I'll sleep . Exit ( Fool ) .
Seite 199
Albany gives a brisk order and then reveals that he has already isolated Edmund from his supporting troops . Tension grows and , at the same , Regan ... The formal challenge and the trumpet calls give time for the persons onstage to ...
Albany gives a brisk order and then reveals that he has already isolated Edmund from his supporting troops . Tension grows and , at the same , Regan ... The formal challenge and the trumpet calls give time for the persons onstage to ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole