King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 118
EDGAR Poor Tom , that eats the swimming frog , the toad , the tadpole , the wall - newto and the water , that in the fury of his heart , when the foul fiend rages , ° eats cow - dung for sallets , o swallows the old rat and the ditch ...
EDGAR Poor Tom , that eats the swimming frog , the toad , the tadpole , the wall - newto and the water , that in the fury of his heart , when the foul fiend rages , ° eats cow - dung for sallets , o swallows the old rat and the ditch ...
Seite 119
The fool probably crouches again in fear , believing now in Edgar's make - believe “ fiend . ” But he may be slipping into madness ( see I. 73 ) ; he says no more in this scene . scum 115-39 Kent challenges Gloucester , probably ...
The fool probably crouches again in fear , believing now in Edgar's make - believe “ fiend . ” But he may be slipping into madness ( see I. 73 ) ; he says no more in this scene . scum 115-39 Kent challenges Gloucester , probably ...
Seite 164
It was some fiend ; therefore , thou happy father , Think that the clearest gods , who make them honors Of men's impossibilities , have preserved thee . GLOUCESTER I do remember now . Henceforth I'll bear Affliction till ...
It was some fiend ; therefore , thou happy father , Think that the clearest gods , who make them honors Of men's impossibilities , have preserved thee . GLOUCESTER I do remember now . Henceforth I'll bear Affliction till ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole