King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite ix
One of the most common forms of tragedy in Shakespeare's day was that which displayed the “ rise and fall ” of a “ great man . ” Marlowe's Tamburlaine ( ca. 1587 ) showed a Scythian shepherd who became a soldier and a leader of men ...
One of the most common forms of tragedy in Shakespeare's day was that which displayed the “ rise and fall ” of a “ great man . ” Marlowe's Tamburlaine ( ca. 1587 ) showed a Scythian shepherd who became a soldier and a leader of men ...
Seite 51
his performance : " You fall precipitately upon your knees , extend your arms , clench your hands , set your teeth , and with ... youthful forehead Granville - Barker believed the curse should be deadly falling * wear away quiet after a ...
his performance : " You fall precipitately upon your knees , extend your arms , clench your hands , set your teeth , and with ... youthful forehead Granville - Barker believed the curse should be deadly falling * wear away quiet after a ...
Seite 88
All the storedo vengeances of heaven fall On her ingrateful top ! Strike her young bones , You takingo airs , with lameness ! CORNWALL Fie sir , fie ! LEAR You nimble lightnings , dart your blinding flames Into her scornful eyes !
All the storedo vengeances of heaven fall On her ingrateful top ! Strike her young bones , You takingo airs , with lameness ! CORNWALL Fie sir , fie ! LEAR You nimble lightnings , dart your blinding flames Into her scornful eyes !
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole