King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite vi
Visual statements are noted : the effect of groups of figures on stage , of an isolated figure , or of a pair of linked figures in a changing relationship ; the effect of delayed or unexpected entries , sudden departures ...
Visual statements are noted : the effect of groups of figures on stage , of an isolated figure , or of a pair of linked figures in a changing relationship ; the effect of delayed or unexpected entries , sudden departures ...
Seite 19
... brought so huge a change in himself , and such a loss . with the heart of the matter Burgundy addresses Lear and not France , offerdowry ing a return to normality ; but the effect is to bring a sharp focus back on the silent king .
... brought so huge a change in himself , and such a loss . with the heart of the matter Burgundy addresses Lear and not France , offerdowry ing a return to normality ; but the effect is to bring a sharp focus back on the silent king .
Seite 147
It has a detonating effect . The audience may laugh ( with Goneril ) at line 26 , but as she is still further revealed , intense with longing and hatred , her words suggest that a powder keg has been touched off .
It has a detonating effect . The audience may laugh ( with Goneril ) at line 26 , but as she is still further revealed , intense with longing and hatred , her words suggest that a powder keg has been touched off .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole